R&B Xmas Ball Recap: An Emotional Trip Back to the 90s

This yearly R&B Xmas Ball featured a roster of artists renowned for their holiday records. Rather than focusing on seasonal songs, the evening acted as a sentimental reason for a trip back to the sincere and emotional style of 1990s R&B.

Opening Performances: Classic Vibes

Dru Hill delivered iconic R&B in coordinated outfits, with music videos from the 2000s era displaying on screens behind them. Following this, a set of mostly ballads from the artist Joe set the stage for the headlining artists.

The Moving Set

The beginning of Burna Boy’s Last Last cleverly segued into He Wasn’t Man Enough, connecting Braxton's musical legacy. Initially, her performance with a backing band seemed rooted in the time period of her peak success.

Then, deep into her set, she opened up about her struggle with lupus and being told she might not sing live again. Singing Breathe Again in a solitary beam of light, she gave a profoundly heartfelt moment. “For as long as I live, I will never forget tonight,” she declared earnestly.

Power chords then catapulted the audience into Long As I Live, cementing her grip over the crowd's emotions. She finished with an flawless, though somewhat shortened, version of her signature hit, Un-break My Heart.

Boyz II Men: Vocal Virtuosos

Taking the stage in dazzlingly matching white suits, Boyz II Men began with Motownphilly. They performed hits like Water Runs Dry and On Bended Knee, showcasing breathtaking three-way harmonies that were both tight and reactive to their accompaniment.

Their performance included covers of influences, including a memorable guitar piece on Purple Rain, and songs inspired by them, like Bruno Mars’s Locked Out of Heaven.

A Touch of Holiday Spirit

Towards the end, the evening embraced the holiday theme with performances of Silent Night and Let It Snow. The show concluded with a strong closing run of anthems including One Sweet Day, I’ll Make Love To You, and End of the Road.

Overall Impressions

Although the evening's production had some hiccups, and the sense at times was of artists performing a tribute to their past selves, the net result was transportive. The crowd was briefly taken back to the peak era of R&B, leaving sprinkled with glitter rather than snow.

Harold Kerr
Harold Kerr

A film critic and entertainment journalist with over a decade of experience covering Hollywood and indie cinema.