This Drifting Poo Was Far Too Meaningful! It's the TV Letdowns of the Year.

Looking back, we reflect on the television landscape of the past year, a selection of series emerge not for their excellence, but for their notable failures. Ranging from awkward spin-offs to confusingly bad documentaries, here are the productions that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive follow-up? Plagued with dreadful writing, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to justify its existence. For a moment, as the third season started, it seemed as if it had at last hit its stride. Then came an installment all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the last series. It concluded on a low point; the lingering shot of Miranda’s toilet flooded with poo was simply too symbolic. Still, fans undeniably had a hoot picking apart every single “what on earth?” moment. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who couldn't let out a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the smallest of this drama's issues. The subject of a exceedingly uncommon no-star assessment, it was difficult to know where to start listing the flaws. The hilariously leaden writing? The tedious glorification of affluence and consumption? The almost deliberate procession of tropes? Performances so bad they felt almost malicious? Let’s just say “all of the above” and never speak of this show again. However, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence allegations and parental failures, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d really have gleaned it from this multi-part documentary which smirked its way at Sheen’s various episodes of reckless excess while failing to tell us anything we didn’t already know. Rather, it felt as if this volatile personality was being indulged, so any pity this series might induce should be reserved for the people who have had to suffer proximity with this charismatic but flippant egotist.

The Supercomputer Drama

Naturally we understood it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Shady figures meeting in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t suffer the embarrassment of having to indulge baffling accents. But there were many other problems. Mainly that it was just really dull; a conflict over drug-selling territory between various cockney picaresques which felt rather simplistic.

The Meghan Markle Series

Considering the degree to which she provokes the ire of certain ostentatiously angry commentators, it’s almost tempting to applaud the Duchess of Sussex’s various forays into quaint homemaking as intentional statements. But then you view them and are forced to admit that in this case, they might have a point. It’s like watching a homeware magazine animated; a meme for wine o’clock with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark platitudes and pointless crafting “tips” you’ll not remember instantly. All supported by vast, largely undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about regarding Victoria Beckham and her struggles with career, identity, self-worth. But for some reason, this three-part series opted not to say them. Instead, the viewing was akin to consuming a sales brochure. She obviously has good reason to bridle at what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this guarded letdown of a series.

The Game Show

It should have been the next big hit – except even camper, with a glamorous star playing dead and a well-known personality managing her estate. What more could you ask for? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too complicated to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a programme that was trying way too hard to live up to something far greater than it.

The Lena Dunham Romcom

How does one follow a show that defined a generation? The expectation was enormous for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic notions. But it was all very slick and, paradoxically, was not enough. Plus, the abundance of celebrity friends involved felt icky.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the shrewd inclusion of talented younger comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a single joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply provoked the idea that they should probably have remained in there a bit longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be handled sensitively. Instead, the series struggled painfully to find the right tone, lumbering from oddly breezy, somewhat mannered farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Very much so.

The Maths Genius Thriller

We love the star … but did we believe him playing the most brilliant maths genius in history, a man so smart he’s on the brink of a discovery that could destabilise society? No! This globe-trotting thriller about government agencies spying on – and eliminating – intellectuals honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for explicit escapades as she prepared for her most extreme challenge yet. What on earth would motivate her? What we craved was far greater examination of her actual psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who showed up to drag her son out of the queue. What we got was disturbing shots and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Harold Kerr
Harold Kerr

A film critic and entertainment journalist with over a decade of experience covering Hollywood and indie cinema.